In Belaiev ‘s survey of the contemporary scale of Turkish classical music, he noted a division of the whole-tone and the semitone without a system to a logical conclusion comprised by intervals of ultrachromatic subdivisions. It has a fundamental note scale of D, with very ancient modal construction representing the natural minor scale with a greater sixth. Modern Turkish music is based on the diatonic scale with a compass of two and a half octaves as seen below: There are two distinct category of Turkish music: classical and folk with consideration to contemporary terminologies. Turkish music is seen as oriental, with variegated intervals less than a semitone incomparable to European music.
It will also include reviews on Ahmet Sendil music with electronic or techno pop and how they produced music to put people in to altered state using traditional Turkish music instruments. This paper will try to define the Turkish music instruments used in classic and contemporary music as well as provide insight to its role in the presentation of Turkish sound, unique but globally palatable among listeners. The influence of rock, pop and techno music popularity has also pushed acceptance and mixture of these genre to come up with hybrid tunes, such as Mid-Eastern pop rock and Mid-Eastern techno pop.Īside from the distinct vocalisation and tune of these hybrid globalised tunes, the use of local instruments in these music performances and productions cannot be ignored.
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